When I first saw the cover for Liberal Fascism by Jonah Goldberg, I was amused, but also worried that it would be another entertaining bit of fluff like Glenn Beck’s Inconvenient Book. It is nothing of the sort. In all honesty, I haven’t enjoyed a book this much since Capote’s Breakfast at Tiffany’s
, and that was about fifteen years ago. Liberal Fascism is perfectly pitched to the middlebrow — neither smashmouth nor turgidly academic.
I’ll delve into the meat of the book in future posts, but for today I’ll share Goldberg’s working definition of fascism:
My graduate studies have focused primarily on World War II and the interaction of fascism, Communism, Nazism and Ukrainian Nationalism. I’ve also spent some time on the Progressive Era. Goldberg has done a really solid job of interacting with the contemporary scholarship on the subject. For one thing, his work is transnational, which is all the rage these days. In the case of Liberal Fascism, transnational history isn’t just a trendy methodology, but an essential means of understanding the relationship between fascism and today’s liberalism. Both movements originated in the same historical period and grew from common intellectual roots — the socialist and “Progressive” movements of Europe and the United States.
What makes Goldberg’s treatment of the Progressive Era so compelling to me is that even many historians on the Left are criticizing the Progressive movement for its racism, nationalism, militarism, paternalism, and so forth. Woodrow Wilson comes in for strong criticism these days for his rather totalitarian actions during WWI. Goldberg simply takes this analysis a step further, drawing very credible lines between Progressivism in the U.S. and Fascism in Italy. This rings true to me.
As I read further, I’ll definitely be writing more. Be sure to check in!
It blew me away, too. I’m less intimately familiar with the history of the political movements, but I’ve spent a fair bit of time studying history of ideas (mostly literary/textual, but also philosophy, pedagogy, and some political theory) to track down various themes emerging in modernity. As a 19C Brit Lit guy, in the early chapters I felt like he was walking on my turf–and he did so beautifully.
Glad to see you posting on this one. I’m sure there are some things to critique, here, but in general terms I thought it was outta da park.
PGE
I’m really looking forward to reading this. . .